As an interdisciplinary artist whose work cycles around the poles of information and intuition, my work resides in the search for a middle ground where the connection between the meaningless and meaningful is drawn. Using a personalized epistemological system of inquiry as an engine to drive the collection, ordering, and making sense of the peculiarities of everyday events, my projects evolve out of productive matrices involving daily routines, documentations, and (re)organizations that investigate standards of value, meaning, and importance in a culture of unabated surplus and meaningless excess.

"Everything" is a body of work that has developed over the past five years in which the daily events, random observations, musings, and strange convergences, which often go overlooked or ignored, are methodically documented, cataloged, and archived as a way to account for, and ultimately provide evidence of my continued existence. Each index card, drawing, found object or Polaroid that makes up this body of work is a separate work that becomes a larger one by association, suggesting the importance of each individual moment in the big picture.

Since 2003 I have been building this archive of unarchival material that provides a framework for the collection of my observations and research and, more importantly, acts as an overall atlas of my existence in this world at this time.